Diseña http://revistadelaconstruccion.uc.cl/index.php/Disena <p>Peer-reviewed, biannual, and bilingual publication by the Escuela de Dise&ntilde;o of the Pontificia Universidad Cat&oacute;lica de Chile.&nbsp;<em>Dise&ntilde;a</em>&nbsp;promotes research in all areas of Design. Its specific aim is to promote critical thought about methodologies, methods, practices, and tools of research and project work.</p> <p>Founded by Ximena Ulibarri.&nbsp;</p> <p>&nbsp;</p> <p><strong>Indexes, Directories, and Databases:</strong></p> <p>-Repositorio de Revistas UC</p> <!-- [if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!-- [if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:DoNotShowPropertyChanges/> <w:HyphenationZone>21</w:HyphenationZone> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>ES-CL</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> 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mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:8.0pt; mso-para-margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--> <p><span lang="EN-US" style="mso-ansi-language: EN-US;">-</span><span lang="PT" style="mso-ansi-language: PT;"><a href="https://www.latindex.org/latindex/inicio"><span lang="EN-US" style="mso-ansi-language: EN-US;">Latindex-Cat&aacute;logo 2.0</span></a></span> <span lang="EN-US" style="mso-ansi-language: EN-US;">(Regional Online Information System for Scientific Journals from Latin America, the Caribbean, Spain and Portugal).</span></p> <p><span style="font-size: 12.0pt; line-height: 107%;"><a href="https://www.redib.org/">-REDIB</a> (Red Iberoamericana de Innovaci&oacute;n y Conocimiento Cient&iacute;fico).</span></p> <p>&nbsp;</p> <p><em>ISSN: 2452-4298 Online Version</em></p> <p><em>ISSN: 0718-8447 Print Version </em></p> <p>&nbsp;</p> <p><em><span class="gI"><span data-hovercard-id="revistadisena@uc.cl" data-hovercard-owner-id="155">Contact: <a href="mailto:revistadisena@uc.cl">revistadisena@uc.cl</a></span></span></em></p> en-US <p><a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-sa/4.0/88x31.png" alt="Licencia de Creative Commons" /></a><br />This work is licensed under a <a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license">Creative Commons Attribution-ShareAlike 4.0 International license.</a></p> <p>COPYRIGHT NOTICE</p> <p style="text-align: justify;">All contents of this electronic edition are distributed under the Creative Commons license of "Attribution-ShareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.</p> <p style="text-align: justify;">The rights of the published images belong to their authors, who grant to Dise&ntilde;a the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles.</p> disena@uc.cl (Renato Bernasconi) administracion_ojs1@uc.cl (STIDD) Mon, 31 Jan 2022 00:00:00 -0300 OJS 3.2.1.4 http://blogs.law.harvard.edu/tech/rss 60 Design and Somatic Sensibilities http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47989 <p>&nbsp;Cultivating somatic sensibilities involves heightening our sensory appreciation as a path to devise meaningful multisensory experiences in interaction design. Immersed in an increasingly digitalized and data-cen­tric world, research projects centering on the sensory, embodied, and material reality of our experience, might start losing momentum. On the other hand, the pandemic has also transferred our labs from the public nature of our workshop room to the intimacy of our homes, bringing unexpected benefits and challenges. The articles included in this issue center on the sensory and material experiences of designers, who work with design methods that foreground somatic modes of inquiry and show how these changes could open a door for new opportunities to emphasize the importance of embodied and somatic practices in design and HCI.</p> Claudia Núñez-Pacheco, Marianela Ciolfi Felice, Vasiliki Tsaknaki Copyright (c) 2022 Claudia Núñez-Pacheco, Marianela Ciolfi Felice, Vasiliki Tsaknaki https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47989 Thu, 10 Mar 2022 00:00:00 -0300 Editorial: Emancipatory Ways of Feeling (the Body as a Subversive Project) http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47991 <p>This editorial intends to contribute to the ― open ― program of soma design by bringing up two moments of rupture in the dualistic concep­tion that opposes the mind to the body. First ― through the feminist reading of Moira Gatens ―, certain ideas formulated by Baruch Spinoza, implicit in soma design, are made explicit with emphasis on those referring to the radical open­ness of the body (to the interrelation with other bodies) and the capacities of the body as an object capable of expanding and actualizing its power. Secondly ― through Georges Vigarello ―, some postulates developed by Denis Diderot concerning the senses and embodied epistemology are highlighted, in partic­ular those that paved the way for us to understand how the modes of perception of the body affect the perception of ourselves and, therefore, our sense of iden­tity. These moments of rupture are linked to the emergence of an emancipatory ethics, committed to the plurality of bodies. Finally, a call is made to promote the rebellious impetus of the body through somatic methods that recognize the various oppressive and disciplined ways of feeling, as well as the power relations inscribed in the phenomenology of bodily experience.</p> Renato Bernasconi Copyright (c) 2022 Renato Bernasconi https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47991 Thu, 10 Mar 2022 00:00:00 -0300 Soma Design: On Articulation, Materiality, Politics, and the Body. Interview with Kristina Höök http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47987 <p>Kristina Höök is Professor of Interaction Design at the Royal Institute of Technology (KTH), where she leads the Somaes­thetic Design Research Group, a lab that explores ways to reincorporate the body and movement into a design regime that has long privileged language and logic. Höök’s research on affective interaction, somaesthetic design, and the Inter­net of Things seeks to make life with technology more mean­ingful, enjoyable, creative, and aesthetically appealing by focusing on the soma, that is, on our living, purposive, sen­tient, perceptive body.</p> <p>Author of <em>Designing with the Body: Somaesthetic Interaction Design </em>(MIT Press, 2018), Kristina Höök starts by briefly defining soma design in connection with somaesthetics and feminist theories. In light of the fundamental definition of somaesthetics and the role of cultivation and appreciation, Höök makes some distinctions between soma design and other design approaches, discussing, for example, the ten­sions between the use of language and body, cultivation ver­sus correction, slowness versus solutionism, culture versus nature, and tangible versus digital materiality. She clarifies how the significance of articulating experience in detail for soma design does not betray the centrality of the body, where sketching, making, and coding could represent means of articulation in themselves.</p> Claudia Núñez-Pacheco Copyright (c) 2022 Claudia Núñez-Pacheco https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/47987 Thu, 10 Mar 2022 00:00:00 -0300 Gentle Gestures of Control: On the Somatic Sensibilities of an IoT Remote App http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/34223 <p>The design of user experiences for physical appliances increasingly involves connection, monitoring, and control via smartphone applications. Despite the rich possibilities for interaction provided by smartphones, the current standard mode of engagement with such apps is through graphical user interface manipulations. To explore new felt experiences for this use context, a remote-control app for a robotic vacuum cleaner was designed, enabling participants to have their gaze focused on the robot, while steering it by gently tilting the phone. This particular interaction is used as a case to emphasize the role of somatic sensibilities when designing smartphone applications in the context of IoT. Through a phenomenologically-inspired analysis, we describe the user experience in terms of physical manipulation, perception, effort, and utility, and through social and emotional engagement. An important attribute was how the interaction, through its subtleness, created a somatically connected experience.</p> Jūra Miniotaitė, Vaida Pakulytė, Ylva Fernaeus Copyright (c) 2022 Jūra Miniotaitė, Ylva Fernaeus, Vaida Pakulytė https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/34223 Thu, 10 Mar 2022 00:00:00 -0300 ‘Squeaky/Pain’: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33007 <p>Through an exemplary design case study, we look at how mediating bodily disturbances and cultivating perspective transition from first-to second-person perspective amplifies somaesthetic awareness. The paper focuses on the less explored aspect of soma design, which is the mediation of disturbing experiences that disrupt the everyday flow i.e., pain. The design process illustrated a transition between first- and second-person perspectives to cultivate and externalize the experience with pain as a wearable bodily interaction. The externalized pain experience was translated into an interactive wearable, ‘Squeaky/Pain’, that augments the wearer’s somaesthetic awareness via sound, tactile, and kinesthetic sensations. This paper makes two main contributions to soma design: introducing the implications of disturbing experiences for augmenting somaesthetic awareness and exemplifying how inner bodily disturbances can be materialized through the cultivation of first-and second-person perspectives.</p> Arife Dila Demir, Nithikul Nimkulrat, Kristi Kuusk Copyright (c) 2022 Arife Dila Demir, Nithikul Nimkulrat, Kristi Kuusk https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33007 Thu, 10 Mar 2022 00:00:00 -0300 The Armor of a Researcher: A Critical, Material Engagement with Somatic Experiences http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33871 <p>Design researchers and practitioners continuously engage with humans in their work, which can translate into encountering personal stories, challenging questions, and facing expectations. The researcher can be torn between remaining ‘professional’, which is often connoted to being ‘neutral’, and engaging their own emotions, vulnerabilities, and insecurities. This paper presents a soma design process that was informed by the autobiographical experiences of the author. The result is a wearable artifact named ‘The Armor of a Researcher’. The artifact embodies somatic experiences of ‘doing research’ and ‘being a researcher’ during qualitative studies with participants. It is intended to be thought-provoking and points towards reflections on professionalism. Physical materials are assembled into a wearable form, which allows others to engage with them through their own bodies. Finally, themes that The Armor has evoked in others are described; these outline knowledge that the artifact puts forth to HCI.</p> Janne Mascha Beuthel Copyright (c) 2022 Janne Mascha Beuthel https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33871 Thu, 10 Mar 2022 00:00:00 -0300 Alganyl: Cooking Sustainable Clothing http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33285 <p>In this article, we introduce Alganyl, a biotextile created through the embodied knowledge of cooking. Based on existing Do-It-Yourself (DIY) recipes for bioplastics, Alganyl is made from renewable resources, feels like vinyl, and can be re-used before ultimately being composted. We outline three guiding principles for designing with Alganyl: materiality, accessibility, and sustainability. Our replicable process involves cooking Alganyl in the designer’s kitchen, followed by cutting and heat-sealing to create clothing. We apply these guiding design principles and processes to make three articles of Alganyl clothing including a dress, a shirt, and a skirt. Lastly, we address the life cycle of Alganyl, paying particular attention to the clothing’s end of life, which we approach through re-cooking and biodegradation (60 days to degrade 97%). Through our experiences with Alganyl, we believe that it has the potential to bring a future where clothing is an autonomous form of self-expression that has minimal impact on the environment.</p> Fiona Bell, Ella McQuaid, Mirela Alistar Copyright (c) 2022 Fiona Bell, Ella McQuaid, Mirela Alistar https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33285 Thu, 10 Mar 2022 00:00:00 -0300 Hesitating between Threads and Needles: An Inquiry into the Dimension of Touch in Design Experimentation http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/34215 <p>Even though experimentation and its material aspect are linked to the practice of design, few texts approach the concept intertwined with a dimension of touch. Considering the uncertain and critical times in which we perceive ourselves as a society, we need practices different from those prevalent in interaction design fields, yet capable of touching other possible worlds. We trust that the act of slowing down enables us to cultivate a distinct sensitivity, hesitating in the construction of a ‘good common world’. This article investigates spaces of hesitation through touch-oriented experimentation and reports on one case of an experimental practice developed from the formation of an embroidery collective. The practice proposes a design performance more engaged with uncertainties, care, and subjectivities.</p> Ana Maria Copetti Maccagnan, Guilherme Englert Corrêa Meyer Copyright (c) 2022 Ana Maria Copetti Maccagnan, Guilherme Englert Corrêa Meyer https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/34215 Thu, 10 Mar 2022 00:00:00 -0300 Applying Gestalt Laws through Somatic Sensibility http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33893 <p>Attending to the need to integrate somatic sensibilities into design education, this paper provides a walkthrough of a workshop activity devoted to introducing Gestalt laws through the cultivation of somatic sensibility. Instead of following a solely visually-oriented path to learning Gestalt laws, students were asked to use their senses and materials as vehicles to represent their felt, inner experience through their designs. By applying the proposed steps, it was observed that certain patterns of responses reporting on movement, intensity, and dissipation of awareness were associated with specific Gestalt laws. This article reports on the first approximations of this approach, suggesting future paths for design educators, such as the integration of both constraints and whole-body interactions with materials as students increase their somatic sensibility.</p> Claudia Núñez-Pacheco Copyright (c) 2022 Claudia Núñez Pacheco https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33893 Thu, 10 Mar 2022 00:00:00 -0300 Introducing Sensory-material Aesthetics in Textile Design Education http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33899 <p>In textile design education, material expressions tend to be directed toward visual-tactile sensory domains. Yet, materials are perceived by all senses, as the body’s experience is mediated through multiple sensory modalities. This paper presents an experiential learning workshop designed to introduce textile design students to somaesthetics as a way to increase sensory competencies and enrich the exploration of sensory-material expressions in textile design. Teaching methods involved a sensitizing exercise, a reflective sense collage, a collaborative sense map task, and a final design task. An evaluative discussion is based on workshop feedback by the students and reflections by the researchers. The main contributions of the paper are guidelines as an inspirational source for introducing sensory-material aesthetics in textile design education.</p> Erin Lewis, Vidmina Stasiulyte Copyright (c) 2022 Erin Lewis, Vidmina Stasiulyte https://creativecommons.org/licenses/by-sa/4.0 http://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/33899 Thu, 10 Mar 2022 00:00:00 -0300