Apuntes de Teatro
https://revistadelaconstruccion.uc.cl/index.php/RAT
<p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; background: white;"><span style="font-family: Palatino Linotype, serif;"><span style="font-size: 13.3333px;">Apuntes de Teatro es una revista de corriente principal que tiene por objeto fomentar y difundir la investigación y la reflexión crítica a nivel nacional e internacional en torno a las prácticas y los estudios teatrales. Igualmente su propósito es preservar el patrimonio del teatro chileno y estimular el diálogo interdisciplinario respecto de las producciones, mediaciones o recepciones teatrales.</span></span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; background: white;"><span style="font-family: Palatino Linotype, serif;"><span style="font-size: 13.3333px;">La revista incluye artículos que informen resultados de investigación, saberes o pensamiento; un texto dramático y sus respectivas lecturas críticas, así como reseñas de libros, encuentros o todo tipo de acontecimientos por los cuales se difunde y prolonga el fenómeno teatral.</span></span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; background: white;"><span style="font-family: Palatino Linotype, serif;"><span style="font-size: 13.3333px;"><strong><em> </em></strong></span></span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; background: white;"> </p>Escuela de Teatro de la Pontificia Universidad Católica de Chilees-ESApuntes de Teatro0716-4440Índice
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73447
<p>No presenta resumen.</p>Equipo Revista Apuntes
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2023-12-282023-12-2814813Presente/Ausente
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73389
<p>No presenta resumen.</p>Igor
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2023-12-282023-12-28148172178Carátulas - Memorias - Exilios
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73391
<p>No presenta resumen.</p>Alberto Kurapel
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2023-12-282023-12-2814817918950x50. La obra interrumpida (1973-2023): recreaciones de la memoria incorporada
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73397
<p>No presenta resumen.</p>AngélicaPablo Andrade Blanco
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2023-12-282023-12-28148190201La Victoria, a 50 años del golpe de Estado: Teatro Síntoma y la memoria colectiva
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73399
<p>No presente resumen.</p>Gerardo Oettinger Searle
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2023-12-282023-12-28148202210Villa y el futuro
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73407
<p>No presenta resumen.</p>Guillermo Calderón
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2023-12-282023-12-28148211216Nosotros no conmemoramos
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73429
<p>No presenta resumen.</p>Rodrigo Pérez
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2023-12-282023-12-28148217226Theatre Questions History
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/65539
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article seeks to contribute to the construction of the field of theatrical historical research in Chile, making visible the limits of the historiography developed within the framework of modernity, where the “predominant models are linear, developmental —in general— and, often, progressive” (Postlewait 160). Bringing together elements of the discussion of Anglophone historiography and recent Chilean case studies, I will address issues related to the treatment of a significant amount of data and how its visualization opens new questions to the problems of the linear and continuous historical narrative, and to the nature of the historical object in theatre. For this purpose, I will use the results of the research “Socio-political history of Chile through the imaginary theatre of Rodrigo Pérez”.</p> </div> </div> </div> </div>Milena Grass Kleiner
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2023-12-282023-12-2814892210.7764/apuntesdeteatro.148.65539.2023Vulnerability and Uncertainty: The Staging of the Detainees-Disappeared in Antonio, Nosé, Isidro, Domingo by Mauricio Pesutić
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/64765
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>Antonio, Nosé, Isidro, Domingo (1984), by Mauricio Pesutić, portrays the detainees-disappeared experience by the Augusto Pinochet’s dictatorial regime (1973-1990) without explicitly refer- encing the topic. This work explores the use of a series of techniques such as allusions, ritual, body movements, stage design, among others, to experiment with new stage languages that go beyond oral communication to represent the uncertainty of the characters. Likewise, I argue that Pesutić emphasizes the vulnerability of the men onstage through their relationship with the space and their current circumstances to connect them with the experience of the political detainees-disappeared of the context.</p> </div> </div> </div> </div>Melissa Gonzalez-Contreras
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2023-12-282023-12-28148233810.7764/apuntesdeteatro.148.64765.20232010-2015: The Dispute for the Social Imaginary of Violence in Two Generations of Chilean Playwrights
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/62681
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article exposes the existence of two new generations and dramaturgical-theatrical sensi- bilities, which converge at a unique moment for Chilean theatre (2010-2015), when they hold a public discussion about the stages regarding the imaginary of violence established by the dictatorship. From the concept of social imaginary proposed by Castoriadis and the notion of violence, assumed as keys of textual interpretation, a review of some of the works of the period is made, establishing continuities and generational differences. New narratives and violence are identified which these generations reveal and integrate into the symbolic representational dispute, opening an important question about the present that not only continues to develop, but has become increasingly urgent.</p> </div> </div> </div> </div>Marcela Sáiz
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2023-12-282023-12-28148395710.7764/apuntesdeteatro.148.62681.2023An Involuntary Prophesy
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/64831
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This essay proposes a thesis: Theatre that works with testimonies could be prophetic not because it offers prophecies but because it builds the conditions for listening to the fractured statements of those who have been erased from history and language. In this sense, the theatre that works with testimonies builds, for the future, conditions to understand the word of the other—another who has suffered violence. To demonstrate this statement, Animales invisibles (Invisible Ani- mals), by La Laura Palmer, is analysed; this is a montage articulated from the testimonies of the workers who perform technical trades in the Chilean National Theatre. Grey areas that bring forward the montage of these discourses are identified, and, lastly, it is concluded that this piece anticipates the discourse of the failure of the Left and reveals the conditions that allow the emergence of a new extreme Right.</p> </div> </div> </div> </div>Cristian OpazoAndrés Kalawski
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2023-12-282023-12-28148586810.7764/apuntesdeteatro.148.64831.2023TO THE BEAT OF MEMORIE
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/62665
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article constitutes an analytical proposal to approach the performative intervention of the group Los Diablos Rojos de Víctor Jara for the purpose of rethinking the possibilities of a political art in times of extreme commodification and depoliticization of historical figures. The text will address the hidden signals of the phenomenon that occurs with its uprising in the streets of Santiago once a year in commemoration of the murder of Chilean singer-songwriter, based on the concepts of synchronic and diachronic memory, and resistance. Therefore, we will revisit the traumatic wound contained in his image, the tradition of the inverted processions of the West and, finally, the hybridization of both memories that make up a practice of resistance emancipated from traditional lines.</p> </div> </div> </div> </div>Ignacio Barrales Parra
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2023-12-282023-12-28148698810.7764/apuntesdeteatro.148.62665.2023Theatre Ensemble of the Union of Laboratorio Chile (TESILACH):
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/61169
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>The aim of this article is to explore the trajectory of the Theatre Ensemble of the Union of Labo- ratorio Chile (TESILACH), an artistic group that emerged during the 1960s in Chile. Through an approach based on oral history and sociology of art, the study analyses the conditions of artistic work in TESILACH, as well as the resources available and the positions taken by the ensemble in the theatrical scene of the time. The results allow for a problematization of the configuration of amateur theatre and its relationship with institutions, promoting new questions and perspectives to continue filling the gaps in the history of amateur theatre in Chile.</p> </div> </div> </div> </div>Cristóbal Allende
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2023-12-282023-12-281488910410.7764/apuntesdeteatro.148.61169.2023Theatre Occupies the Streets
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/65487
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>The space granted within the national theatre historiography to street theatre during Chile’s civic-military dictatorship is relatively limited. In addition to the inherently temporality of theatre, the urgency of its representation and the absence of theatrical venues further complicate the documentation of theatre history. Consequently, in order to construct a potential cartography of those memories, it is necessary to go back to the records and testimonies of street performan- ces between 1980 and 1990 in Chile and gain insight into the specific strategies employed in theatrical performances so to understanding the underlying motivations behind their creation.</p> </div> </div> </div> </div>Nora Fuentealba
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2023-12-282023-12-2814810513010.7764/apuntesdeteatro.148.65487.2023Concentrationary Theatre in Chile: Towards a Political Aesthetics
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/64557
<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>A significant (and scarcely documented) part of the history of Chilean theatre during the dic- tatorship has been the concentrationary theatre movement that took place during 1973 and 1976 in seven concentration camps across the country. This paper takes up on establishing this notion for Chilean artistic and political history, putting it back into context in a comparative perspective and drawing up the singularity of its appearance and developments in Chile. We will then advocate for a political aesthetics when studying those theatres, given that they seem to represent a moment of radical political outburst that redefines the political community and its organization as a whole, generating fundamental dissensus (Rancière) from inside the very key institution of the dictatorial social system.</p> </div> </div> </div> </div>Corentin Rostollan-Sinet
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2023-12-282023-12-2814813114810.7764/apuntesdeteatro.148.64557.2023El Teatro Aleph Chile 1966-1976
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73431
<p>No presente resumen.</p>Luis Pradenas Chuecas
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2023-12-282023-12-28148227269Reseña curricular de autores
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<p>No presenta resumen.</p>Equipo revista Apuntes
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2023-12-282023-12-28148283290Cuerpo presente
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73373
<p>No presenta resumen.</p>Igor Cantillana
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2023-12-282023-12-28148151171Editorial
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73409
<p>No presenta resumen.</p>Inés Stranger
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2023-12-282023-12-2814846Entre actuar y performar. Perspectivas desde el cuerpo en el teatro chileno post dictadura
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73433
<p>No presenta resumen.</p>Macarena Losada
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2023-12-282023-12-28148273276Escenas políticas. Teatro entre revueltas 2006-2019
https://revistadelaconstruccion.uc.cl/index.php/RAT/article/view/73435
<p>No presenta resumen.</p>Coca Duarte
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2023-12-282023-12-28148277279