SYMBOLIC POWER AND TITANISM: REREADING PABLO NERUDA’S CANTO GENERAL

Authors

  • Miguel Gomes The University of Connecticut (Estados Unidos)

Keywords:

Pablo Neruda, literary History, Hispanic Post avant-garde, Symbolic Power, Titanism

Abstract

This article explores the presence of elements both “revolutionary” and “archaic” in Pablo Neruda’s

Canto general and the ambiguous relation of this major work of 20th-century Latin American poetry to

recent literary history. The discussion draws on Raymond Williams’s views of cultural history, Pierre

Bourdieu’s theories of how symbolic power is produced and distributed in the fi eld of cultural production,

and the notion of “spiritual titanism” as developed by philosophers (Nicholas Gier) and psychologists

(Eugene Monick).

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Published

2009-06-30

How to Cite

Gomes, M. . (2009). SYMBOLIC POWER AND TITANISM: REREADING PABLO NERUDA’S CANTO GENERAL. Anales De Literatura Chilena, (11), 91–118. Retrieved from https://revistadelaconstruccion.uc.cl/index.php/alch/article/view/32741

Issue

No. 11 (2009): Año 10

Section

ARTÍCULOS

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.